STAGNATION has a particularly unpleasant resonance to the Russian ear, conjuring up memories of the ossified gerontocracy of the Brezhnev era. But with year-on-year GDP growth at just 1.2% last quarter and growth in investment and industrial production nearing zero, stagnation seems to be the most apt description of the Russian economy. Speaking at an investment forum last month, Alexei Ulyukayev, the economic-development minister, paraphrased an old joke: “Practically, there is no economic development,” he said, “but the economic-development minister is here in front of you!”
Thursday, November 7, 2013
Russia’s economy - The S word
http://www.economist.com/news/europe/21589455-will-stagnating-economy-bring-about-much-needed-structural-reform-s-word

STAGNATION has a particularly unpleasant resonance to the Russian ear, conjuring up memories of the ossified gerontocracy of the Brezhnev era. But with year-on-year GDP growth at just 1.2% last quarter and growth in investment and industrial production nearing zero, stagnation seems to be the most apt description of the Russian economy. Speaking at an investment forum last month, Alexei Ulyukayev, the economic-development minister, paraphrased an old joke: “Practically, there is no economic development,” he said, “but the economic-development minister is here in front of you!”
STAGNATION has a particularly unpleasant resonance to the Russian ear, conjuring up memories of the ossified gerontocracy of the Brezhnev era. But with year-on-year GDP growth at just 1.2% last quarter and growth in investment and industrial production nearing zero, stagnation seems to be the most apt description of the Russian economy. Speaking at an investment forum last month, Alexei Ulyukayev, the economic-development minister, paraphrased an old joke: “Practically, there is no economic development,” he said, “but the economic-development minister is here in front of you!”
Twitter's top 140 users
http://www.telegraph.co.uk/technology/twitter/10430761/Twitters-top-140-users.html
Here are the top 20 users and their most recent Tweets
1. Katy Perry, singer, 46,561,179
2. Justin Bieber, singer, 46,526,319
3. Lady Gaga, singer, 40,383,118
4. Barack Obama, President of the United States, 39,214,102
5. Taylor Swift, singer, 36,167,890
6. YouTube, video sharing site, 35,643,583
7. Britney Spears, singer, 33,795,005
8. Rihanna, singer, 32,369,513
9. Instagram, social photo site, 28,756,616
10. Justin Timberlake, singer, 27,936,121
11. Twitter, the social media site's official account, 26,310,573
12. Jennifer Lopez, singer, 24,958,876
13. Ellen DeGeneres, talk show host, 23,324,423
14. Shakira, singer, 22,657,147
15. Cristiano Ronaldo, footballer, 22,388,208
16. Oprah Winfrey, TV presenter, 21,865,247
17. P!nk, singer, 20,595,888
18. Demetria Lovato, singer, 19,656,389
19. Kim Kardashian, reality TV star, 18,675,863
20. Adele, singer, 18,339,044
Wednesday, November 6, 2013
Hallelujah! Even Muslim women can now be superheroes
http://www.telegraph.co.uk/women/womens-life/10430505/Even-Muslim-women-can-be-superheroes.-Hallelujah.html

Once, an average comic book superhero was male and wore his pants on the outside of his trousers. We’ve been thrown some female heroines along the way: Wonder Woman, Lara Croft and Ms Marvel. The female presence in comics has been growing over the years. But the latest announcement by Marvel Comics that a 16-year-old Pakistani Muslim American girl from New Jersey will be one of their lead charactershas been creating a stir, and for all the right reasons. Kamala Khan is the new Ms Marvel.
Once, an average comic book superhero was male and wore his pants on the outside of his trousers. We’ve been thrown some female heroines along the way: Wonder Woman, Lara Croft and Ms Marvel. The female presence in comics has been growing over the years. But the latest announcement by Marvel Comics that a 16-year-old Pakistani Muslim American girl from New Jersey will be one of their lead charactershas been creating a stir, and for all the right reasons. Kamala Khan is the new Ms Marvel.
The series editor at Marvel, Sana Amanat says the series is a "desire to explore the Muslim-American diaspora from an authentic perspective". Khan can grow and shrink her limbs and her body and ultimately, she'll be able to shape shift into other forms.
Tuesday, November 5, 2013
Time Warner has slimmed down to a pure television and film business
http://www.ft.com/intl/cms/s/0/3061e1aa-4549-11e3-997c-00144feabdc0.html?siteedition=intl#axzz2jnpXuEVu
It all comes back to TV, an industry Mr Bewkes knows well. He earned his spurs running HBO, the pay channel that became the standard bearer for creative risk-taking, characterised by acclaimed shows such as The Sopranos. Television is a decidedly “old media” industry – one the AOL merger was supposed to revive and reinvent – yet it has endured and prospered over the past 13 years, while the internet companies of the dotcom bubble era have often struggled. “The new media have suffered far more adverse fates since 2000 than the old media,” he says. “New media has had a few tremendous, outstanding breakthroughs: Google, Facebook, Apple, Twitter and Amazon in retail. But if you’re not in one of those you’re in some difficulty.”
Time Warner’s increased focus on TV comes as the medium is enjoying a “golden age”, fuelled by high-quality writing and directing. HBO has epitomised this renaissance but rivals are offering competition, including basic cable channels such as AMC, home of Breaking Bad andMad Men in the US. There is also a new breed of competitor: Netflix, the streaming service, has taken steps into original drama with its remake of House of Cards.
Concentrating on TV is not without risk for Time Warner – particularly if there is a substantial decline in people willing to subscribe to cable or satellite TV. The pay TV industry has seen its subscriber numbers fall in five quarters since 2010, leading industry watchers to ask whether services such as YouTube and Netflix are prompting users to stop subscribing or “cut the cord”.
For now, though, the golden age shows no sign of waning. Mr Bewkes says the new distribution technology, such as online streaming, has only increased demand for Time Warner’s programming. “Television . . . is probably the healthiest consumer business in the world,” says Mr Bewkes. “You have more subscribers, more viewers watching for more hours a day than ever before.”
Twitter's IPO - Feathering its nest
http://www.economist.com/blogs/schumpeter/2013/11/twitters-ipo
At a valuation of $13.6 billion, Twitter would have a market capitalisation-to-trailing-12-month sales ratio of roughly 26, which is higher even than those of Facebook and LinkedIn when they went public. Yet Twitter has been coy about how exactly its advertising machine will be able to generate the billions of dollars of future revenues to justify such a lofty multiple.
But one thoughful estimate published on the same day that Twitter increased its price range concluded that the firm is in fact worth no more than $17 to $18 a share. BIA Kelsey, which analyses advertising markets and firms operating in them, says that Twitter faces some very big challenges just to get to the $5 billion of revenue a year it will need to generate by 2020 to justify a share price today of $17. Among other things, it notes that Twitter’s growth in America is slowing and that it is generating far less revenue from foreign users, who account for about four-fifths of its audience. Perhaps the hype around the IPO market right now will still make Twitter’s shares fly in the short-term. But they are unlikely to stay aloft for long.
At a valuation of $13.6 billion, Twitter would have a market capitalisation-to-trailing-12-month sales ratio of roughly 26, which is higher even than those of Facebook and LinkedIn when they went public. Yet Twitter has been coy about how exactly its advertising machine will be able to generate the billions of dollars of future revenues to justify such a lofty multiple.
But one thoughful estimate published on the same day that Twitter increased its price range concluded that the firm is in fact worth no more than $17 to $18 a share. BIA Kelsey, which analyses advertising markets and firms operating in them, says that Twitter faces some very big challenges just to get to the $5 billion of revenue a year it will need to generate by 2020 to justify a share price today of $17. Among other things, it notes that Twitter’s growth in America is slowing and that it is generating far less revenue from foreign users, who account for about four-fifths of its audience. Perhaps the hype around the IPO market right now will still make Twitter’s shares fly in the short-term. But they are unlikely to stay aloft for long.
Monday, November 4, 2013
Experts outline key content marketing trends for 2014
http://www.theguardian.com/media-network/media-network-blog/2013/nov/01/content-marketing-trends-2014
It's that time of year when everyone starts future-gazing to 2014, so the Content Marketing Association have compiled the wisdom of six digital content marketing gurus and by asking them what they think will be key to good content marketing against the backdrop of continued technology changes next year. Converged media, discoverability and story-first are just some of their predictions.
Popular Demand - US Media in Numbers
http://www.nytimes.com/interactive/2013/11/04/business/media/04mostwanted.html?ref=media&_r=0
In an age when every baseball game is on television and some are streamed to mobile devices, radio audiences are dwindling, but the audience jumped at the end of the season.
Katy Perry roars past Justin Bieber to become most popular Twitter user
http://www.theguardian.com/technology/2013/nov/04/katy-perry-justin-bieber-twitter
Perry now has just over 46.5 million followers on Twitter to Bieber's 46.49 million, ending his nine-month reign as the most-followed user on the service. The buzz around her new album Prism is the main reason for Perry's current social surge.
Musicians remain some of the most popular users on Twitter, accounting for four of the five most-followed accounts. Lady Gaga's 40.4 million followers puts her third, having spent three years as the biggest Twitter star before being overtaken by Bieber in January this year.
Taylor Swift's 36.25 million followers puts her fifth on the chart, with only US president Barack Obama breaking up the top five with his 39.27 million followers.
Perry recently talked about her social media strategy, telling USA Today that "I've learned how to ride social media ... I feel like I've learned how to tame that social media dragon" before giving fellow stars advice on how to follow suit.
"When you decide to have a glass of wine, put the phone down. Don't drink and tweet. Don't be self-indulgent. Don't use it just to promote yourself. That's boring."
Saturday, November 2, 2013
How Sweden became a pop music powerhouse
http://www.ft.com/cms/s/2/55f7bdf6-40c4-11e3-ae19-00144feabdc0.html#axzz2jR0YZ100
In 2011 the nation of 9.5m produced music exports worth more than $150m (according to Swedish industry estimates) – the largest per capita in the world. Now the rest of the Nordic region is catching up.
In 2011 the nation of 9.5m produced music exports worth more than $150m (according to Swedish industry estimates) – the largest per capita in the world. Now the rest of the Nordic region is catching up.
Indie bands spill out of Reykjavik. Heavy metallers headbang in Finland. Danish singer-songwriter Agnes Obel tops album charts across Europe. Oslo’s answer to “Gangnam Style”, Ylvis’s “The Fox (What Does the Fox Say?)”, is a YouTube hit.
Sweden stands apart from its Nordic neighbours in having the most sophisticated pop music infrastructure, a tradition that continues in the digital age: the song-streaming service Spotify was dreamt up in Stockholm. The country’s music revenues were up 12 per cent in the first half of 2013. Yet the domestic market remains small compared with more populous countries. Bands have an incentive to look abroad for audiences.
Friday, November 1, 2013
An exclusive interview with Bill Gates
http://www.ft.com/cms/s/2/dacd1f84-41bf-11e3-b064-00144feabdc0.html#axzz2jR4f98oT
These days, it seems that every West Coast billionaire has a vision for how technology can make the world a better place. A central part of this new consensus is that the internet is an inevitable force for social and economic improvement; that connectivity is a social good in itself. It was a view that recently led Mark Zuckerberg to outline a plan for getting the world’s unconnected 5 billion people online, an effort the Facebook boss called “one of the greatest challenges of our generation”. But asked whether giving the planet an internet connection is more important than finding a vaccination for malaria, the co-founder of Microsoft and world’s second-richest man does not hide his irritation: “As a priority? It’s a joke.”
These days, it seems that every West Coast billionaire has a vision for how technology can make the world a better place. A central part of this new consensus is that the internet is an inevitable force for social and economic improvement; that connectivity is a social good in itself. It was a view that recently led Mark Zuckerberg to outline a plan for getting the world’s unconnected 5 billion people online, an effort the Facebook boss called “one of the greatest challenges of our generation”. But asked whether giving the planet an internet connection is more important than finding a vaccination for malaria, the co-founder of Microsoft and world’s second-richest man does not hide his irritation: “As a priority? It’s a joke.”
Ad break: Crest's comedy Halloween ad and romance is dead in Sweden
http://www.theguardian.com/media/2013/nov/01/ads-break-crest-specsavers-aftonblader-sony-bravia
Crest and candy go together it seems and online content is more attractive than an offline love-life, according to Aftonbladet
Crest and candy go together it seems and online content is more attractive than an offline love-life, according to Aftonbladet
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